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Saturday, January 1, 2011

Review- Manmadhan Ambu

Movie
Manmadhan Ambu
Director
KS Ravikumar
Producer
Red Giant Movies
Music
Devi Sri Prasad
Cast
Kamal Haasan, Madhavan, Trisha, Sangeetha, Urvashi


 

 
Manmadhan Ambu is a triumph of honest script writing. No choreographed songs, kuthu numbers, no skin show, no item girl, no villain or punch line spewing etc. Kamal Haasan’s script with some smart writing, brilliant casting, a designer look and great one-liners makes it a perfect family entertainer for the holiday season. Ambujakshi alias Nisha (Trisha) is the numero uno heroine in Tamil cinema. She is in love with Madanagopal (Madhavan), a rich tycoon who is basically a Mama’s (Usha Uthup) boy. Madanagopal and his mom visit Ambu on the sets of a song picturisation in Kodaikanal with top hero Suriya (playing a cameo), and he suspects that she is two- timing him. This leads to an accident as Ambu on the driver’s seat of Madan’s new Hummer, almost bangs into a another car coming from the opposite side.
The couple has a bitter fight and an emotionally disturbed Nisha calls Madan a ‘Sandeha Prani’ (suspicious guy) and part. To take off from pressures of work and personal worries Ambu decides to go on a European cruise with childhood friend Deepa (Sangeetha) who is a divorcee with two kids. Meanwhile Madan who is still madly in love with Ambu arranges a private detective Major Mannar (Kamal Haasan) to keep an eye on her and give him a regular update on whom she meets during her holiday. All this leads to a hilarious situation, with a dramatic twist in the climax.
Kamal Haasan script scores big time, as the film works due to characterization and commercial packaging done in a different style by KS Ravikumar. From scene one, you are drawn into each characters life, and when you put them all together on a cruise it crackles with human emotions and entertainment.
Remarkable casting has resulted in some fine performances by all players. The film boasts the best performance you will see by an ensemble cast in a long time, and that includes even the bit players Each and every character including the two small kids are perfect.
Trisha’s character as movie star Nisha sans make up is the pivot around which the film revolves. Be it her discomfort on the sets when her lover drops in, or her outburst over the phone, she is superb. She sprinkles her lines with confidence and emerges as one of the film's most lovable characters.
Armed with the film’s best-written role as Madanagopal, Madhavan is the scene stealer. His drunken scenes which brings out his hidden fears and suspicion is superb. Sangeetha as Deepa the divorcee who says “the matrimony was bad but the alimony was good” nails the practical woman of today who is frank and honest about her life.
Malayalam actors Kunjan and Manju Pillai as the wannabe producers after Nisha’s dates and Urvashi as the hapless wife who is fighting a lone battle by the side of her husband in the hospital are fantastic.
And finally the name is Kamal Haasan. Watch him meld effortlessly from casual to utter seriousness. His compelling, effortless portrayal of Major Mannar is the highlight. The star makes an appearance 22 minutes after the start and adds those little touches that make all the difference especially the scenes in which he speaks to Urvashi over the phone, and when he talks about his French wife who met with a sad end.
Technically the film is top class. Two new boys- cinematographer Manush Nandan and editor Shan Mohammed make a big impression. Manush camerawork give it a fresh tangy look, while editing is crisp. The film moves at a rapid pace with never a dull moment in the 2 hour 32 minutes running time.
Sync sound has been used, which has enhanced not only the narration but also gives it a real feel as though you were there on the ship with the characters. Devi Prasad’s music especially Neela Vaanam... told in a rewind manner, is innovative. The picturisation of Thagudu Thagudu.. comes at the right time and is different.
Constructed from a terrific script that’s strong on plot and packed with crackling dialogue, Manmadhan Ambu is consistently engaging. Cleverly written and sharply cast, it is a film that delivers hearty laughs. Don’t miss it. It is one of those rare Tamil films that’s funny and smart at the same time!
What ever else you do this weekend, don't miss this film.
Verdict: Excellent






Review: Nandalala (Tamil Film)





Cast: Mysskin, Ashwath Ram, Snigdha and others.
Director: Mysskin
Music: Ilaiyaraaja

Mysskin's Nandalala, which has finally hit the screens long after it had been completed, has come out as a movie with artistic features without losing the popular elements.

Though the accusations that he has 'adapted' the theme of Japanese film Kikujiro are quite reasonable, there is no denying the fact that Mysskin has proved yet again that he is a good filmmaker. He has the talent to transfer the emotions on screen across to the audiences - which is something unique.

Nandalala is all about two people who are in search of their mothers. Destiny puts them together. They travel through several places to reach their respective destinations.

The journey by Bhaskar (Mysskin), who is mentally disturbed, and Akhilesh (Ashwath Ram), a schoolboy, has been told in a gripping manner.

Their journey turns out to be a revealing experience that changes their lives for the better. Both walk around without knowing the harshness and striking realities of the world around them.

Battered and bruised by many, they also meet some good people who help them a lot. The travel reveals the greatness of human life. Many times hostile people turn out to be good after realising the real position of both of them.

Their innocence, helplessness and affection change others too.

The scene that shows a physically handicapped person moves the audience. Even the climax is quite emotional and heartening.

Cinematographer Mahesh has done a marvellous work. The visuals are quite amazing. The way he has captured the landscape of Tamil Nadu is excellent.

Ashwath Ram, Mysskin and Snigdha have done their parts very well. Their performances lift the film to another level.

Mysskin, who is known for shaping even the small characters well, has done it again. The characters of the tender coconut seller, granny, maid, policeman, lorry driver and ice cream seller are pleasant to watch. The dialogues are realistic and poignant.

On the flipside, the fact that Mysskin has got inspired from Kikujiro does cast a shadow on the merits of the filmmaker.

Though he has deftly adapted the original to fit into the Tamil milieu, the repetition of the characters like the bald two-member biker gang guys, the farmer and the lorry driver from Kikujiro seems to be too much to digest.

Ilaiyaraaja's music is a huge plus point to the movie. His background score adds immense value to it. The sequence when Mysskin meets his mother and the lullaby that Ilaiyaraaja sings in the background would bring tears to anybody's eyes.

Despite lacking originality, Nandalala works a big way with its stunning visuals, music, script and performances.

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